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  • Cambodia
    Cambodia_Film_B&W_12.jpg
  • Peru
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  • For USA Today, I produced and filmed this short video feature on Mother Mae, the owner of B&B Salon in Oak Pak, Sacramento who takes each day, one day at a time after surviving cancer and pandemic, all while supporting her Black community. <br />
<br />
https://www.usatoday.com/videos/money/2021/12/15/covid-19-and-small-business-message-hope-during-pandemic/8896002002/
    USA Today.png
  • WillieMay McKinney, owner of B & B Beauty Hair Salon. Oak Park, Sacramento<br />
<br />
My clients have been with me the whole time I’ve been in business. I’ve done hair for them, their kids, and their grandkids. I closed down completely in March, and then they let us open back up in June. I do everybody one at a time. I work a week, then I quarantine for a week. So it's 14 days before I see them again. So if anything is happening with them I already know. That's the protection that I put on myself. This salon was supposed to make a really good retirement for me but this pandemic has changed all that. My life has changed. My finances are not the same. I can't travel and I can’t see my family. But I'm still here. We're all losing money, but if you're not here to make the money, you're going to lose money too.
    _AWT3832-Edit.jpg
  • WillieMay McKinney, owner of B & B Beauty Hair Salon. Oak Park, Sacramento<br />
<br />
My clients have been with me the whole time I’ve been in business. I’ve done hair for them, their kids, and their grandkids. I closed down completely in March, and then they let us open back up in June. I do everybody one at a time. I work a week, then I quarantine for a week. So it's 14 days before I see them again. So if anything is happening with them I already know. That's the protection that I put on myself. This salon was supposed to make a really good retirement for me but this pandemic has changed all that. My life has changed. My finances are not the same. I can't travel and I can’t see my family. But I'm still here. We're all losing money, but if you're not here to make the money, you're going to lose money too.
    _AWT3825-Edit.jpg
  • WillieMay McKinney, owner of B & B Beauty Hair Salon. Oak Park, Sacramento<br />
<br />
My clients have been with me the whole time I’ve been in business. I’ve done hair for them, their kids, and their grandkids. I closed down completely in March, and then they let us open back up in June. I do everybody one at a time. I work a week, then I quarantine for a week. So it's 14 days before I see them again. So if anything is happening with them I already know. That's the protection that I put on myself. This salon was supposed to make a really good retirement for me but this pandemic has changed all that. My life has changed. My finances are not the same. I can't travel and I can’t see my family. But I'm still here. We're all losing money, but if you're not here to make the money, you're going to lose money too.
    _AWT3828-Edit.jpg
  • Estelle is an English R&B singer-songwriter, rapper and producer. She won a grammy for American Boy featuring Kanye West in the category best rap/sung collaboration and received three consecutive 'Best Female Artist' trophies from the UK Hip-Hop Awards...Estelle performs at The Blast Live @ SXSW sponsored by Digiwaxx on March 20, 2010 at The Ranch.
    2010_SXSW_67.JPG
  • Ozomatli music-- a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.  The band had long been a favorite of international audiences--playing everywhere from Japan to North Africa and Australia--and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East...Ozomatli performs at Auditorium Shores Stage in Austin, Texas in front of thousands of fans during 2010 SXSW music Festival.
    2010_SXSW_64.JPG
  • Ozomatli music-- a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.  The band had long been a favorite of international audiences--playing everywhere from Japan to North Africa and Australia--and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East...Ozomatli performs at Auditorium Shores Stage in Austin, Texas in front of thousands of fans during 2010 SXSW music Festival.
    2010_SXSW_63.JPG
  • Ozomatli music-- a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.  The band had long been a favorite of international audiences--playing everywhere from Japan to North Africa and Australia--and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East...Ozomatli performs at Auditorium Shores Stage in Austin, Texas in front of thousands of fans during 2010 SXSW music Festival.
    2010_SXSW_62.JPG
  • Ozomatli music-- a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.  The band had long been a favorite of international audiences--playing everywhere from Japan to North Africa and Australia--and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East...Ozomatli performs at Auditorium Shores Stage in Austin, Texas in front of thousands of fans during 2010 SXSW music Festival.
    2010_SXSW_61.JPG
  • Papuan street prostitutes, B. (25) and N. (16) share a cigarette as they wait for potential clients.<br />
<br />
For many young Papuan women in urban and developing areas, poverty and economic pressures have forced the exchange of sex for goods, cash, or food as an accepted mean for survival.  Unlike non-Papuan brothel workers, Papuan sex workers often seek clients in public venues and have sex outside, by the side of the road, or in urban dwellings.  Operating outside formal establishments, the exact number of Papuan sex workers are unknown but are estimated to be at least double the number of non-Papuans.  Despite their high numbers, intervention programs targeting Papuan sex workers have not been a priority and most of them rarely have access to information, preventive services and support for HIV/AIDS and STDs.  With limited access to information and support, Papuan sex workers are less informed, have lower rates of condom usage (5% compared to non-Papuans with a 70% rate of condom usage), and are more likely to get infected with STDs and HIV than their counterparts in regulated brothels.
    AgainstAllOdds_Color_11.JPG
  • Papuan street prostitutes, B. (25) and N. (16) share a cigarette as they wait for potential clients.<br />
<br />
For many young Papuan women in urban and developing areas, poverty and economic pressures have forced the exchange of sex for goods, cash, or food as an accepted mean for survival.  Unlike non-Papuan brothel workers, Papuan sex workers often seek clients in public venues and have sex outside, by the side of the road, or in urban dwellings.  Operating outside formal establishments, the exact number of Papuan sex workers are unknown but are estimated to be at least double the number of non-Papuans.  Despite their high numbers, intervention programs targeting Papuan sex workers have not been a priority and most of them rarely have access to information, preventive services and support for HIV/AIDS and STDs.  With limited access to information and support, Papuan sex workers are less informed, have lower rates of condom usage (5% compared to non-Papuans with a 70% rate of condom usage), and are more likely to get infected with STDs and HIV than their counterparts in regulated brothels.
    Against All Odds_11.JPG
  • Ozomatli music-- a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga.  The band had long been a favorite of international audiences--playing everywhere from Japan to North Africa and Australia--and their music had always been internationalist in its scope, seamlessly blending and transforming traditions from Africa, Latin America, Asia and the Middle East...Ozomatli performs at Auditorium Shores Stage in Austin, Texas in front of thousands of fans during 2010 SXSW music Festival.
    2010_SXSW_65.JPG
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Andri Tambunan

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